I am a shade/cloud cover junkie. There.
I admitted it. When I go out to a
session on overcast days, I rejoice, for there is just enough light filtering
in through the grayish skies to give me that perfectly delicious, even lighting
that I adore. When the sun is out in all
of its glory, I test the strength of the rays with my hand and make a mental
note to seek shade ASAP. I work with the
conditions I am given, but I don’t fully embrace it like I should.
During my hiatus, I have been resolute in my mission to
capture the everyday goings-on of my home, my children, my life. Inside the sanctuary of our house, with the
beautiful light pouring in through the windows diffused by the white paper
blinds, it is easy to find and use the light.
Outside is the battle. I have
had something of a phobia of outside light in El Paso. 45 minutes before sunset and about an hour
after sunrise, I have no issues. Those
are the golden hours, after all, a photographer’s best friend when it comes to achieving
delicious golden, diffused light. But
when it came to the hours approaching or just beyond noon, I balk. Harsh midday light is a challenge in the best
of locations, so photographing in the El Paso desert with the sun beaming off of every reflective surface seemed to me especially
daunting. So I avoided it. At zoos and parks, I sought refuge in the
dark corners, or took backlit portraits to avoid dreaded hotspots. I did not want blown out skin and harsh shadows,
so I shot what I knew.
And then my son decided he wanted to play outside with his
aunt on one of her last days visiting us before she had to shuttle off back to
school, and I realized we hadn’t taken park photos in a while. So I ended up facing my biggest fear: A
playground in the middle of an open field.
In El Paso. At noon. The results were unexpected, to say the
least.
I realize something now that I suppose I have known all
along, but didn’t feel I possessed the proper skills to attest to: The sun is not an enemy to our art. The sun gives us the framework for our craft,
and asks nothing in return. It is (arguably)
the best lighting system and (factually) the cheapest to use. There is no need to feel anxious about it or
hide from it. One just needs to know how
to use it. I’m learning more and more
everyday about the ways to use different sources of light, and I am glad that I
no longer view the sun as an adversary.
It’s one hot piece of photo gear (Hardy har har).
**Please note that these are snapshots. They are not edited, not posed, and definitely not great pieces of art. They are merely a means of illustrating the core message of this post: It's not about working in the right light; it's about making the light work for you.
~Megan